dev_chieftain: (farron)
I've been involved with / following the stuff going on with the Feminist Frequency Kickstarter. Apparently the latest development is that, since the scare tactics aren't working, the persons who are angry about the project started their own fundraiser to try to one-up FemFreq. Their project is called "Misandry in Videogames", and they're very explicit that they won't need the money to make their webseries, it's 'all going to charity'. The comments are predictably full of obvious attempts to deride, defame, or undermine confidence in Sarkeesian and her project, both on the actual project page and in the comments from the backers.

Here's the thing. I think that, if this project were legitimate, it would be a worthy effort. If these people were looking to improve the interpretation of men in video games by critically analyzing the way that video game companies tell us that we perceive men in their sometimes crappy representations, I'd think this was a pretty good effort. The lack of depth of character and humanity is a serious problem with the entirety of pop-culture. It is no failing of Feminist Frequency that its focus is on addressing the problems in pop-culture representations of women. It would still be great if some other organization devoted to improving the rights of some other oppressed group wanted to do projects to raise awareness and inspire conversation about the problems in pop-culture representations of men.

The fact of the matter is this though: they don't really mean to make videos that are thoughtful critiques, and it shows. They're angry, they have decided for whatever reason that Sarkeesian is false and plans to blow the money she's made on something unrelated to the project she's doing. They don't care about the reality of the situation, they don't care about whether or not they're proving her right-- that there is a problem with sexism in interpersonal relations-- every time they comment in to tell her how much they hate her in their variety of colorful ways that I have no desire to quote here.

What really sucks is actually the backlash to the backlash. The definition of peaceful protest is that it must remain PEACEFUL. If we were putting ourselves in danger to achieve peaceful protest, it would require our maintained innocence-- carrying no weapons, refusing to stoop to the violence that our enemies were waging upon us, willingly making examples of ourselves if necessary to get the message across that this problem is big, and real, and must be fixed.

In the online world, the way to maintain innocence is never to actually insult-- not even through backhanded insults-- and regrettably, Sarkeesian failed to do this from day one by calling the response 'trolls'. It's not her fault, because that is the term we apply to generalized internet harassment ('I'm being trolled'). But the word still festers and rots in the hearts of those who are called it, especially those who, for whatever reason, didn't realize that they WERE trolling, and seriously thought that Sarkeesian was demanding privilege, instead of requesting equality.

I'm not saying these guys are right to be doing such assholish stuff to anyone, ever, and I'm certainly not saying that Sarkeesian is in the wrong. However, to respond to these people by dehumanizing them, referring to them as trolls, or babies, or whiners, or otherwise making mass generalizations about them, is not even REMOTELY helpful. Trolling the trolls back is just fucked up. That is bullying the bully. And you know what? That makes you one of the people in the crowd who's pointing and laughing and doing nothing to solve the problem.

Sarkeesian here is the true victim. She didn't do anything wrong, and she's being bullied. Beyond that, her bullies are being victimized by the people who are looking on and linking their support of Sarkeesian inextricably with statements like:

"and all these 12 year olds need to shut the fuck up"
"haha, poor whiny neckbeards! get out of the basement!"
"don't worry about all those guys with tiny e-peens!"

I can't stress enough how vitally important it is to be aware that SHOWING SUPPORT does not require you to PUT SOMEONE ELSE DOWN. In fact, it severely undermines the support you show if you go out of your way to insult someone else. EVERYONE'S rights matter. This is true. Sarkeesian knows it, and we know it, and shockingly enough, even these 'trolls' know it. They are freaking out because they have the unrealistic expectation that, if Sarkeesian is successful, everyone will turn on them and start bullying them and denying them rights.

This is NOT TRUE. What we want is to be treated as equals. But we'll never be able to get that message across to these guys because instead of reaching out to them and extending patience and tolerance, the people who are supposedly supporting Feminist Frequency are reinforcing that fear every time they make another of these thoughtless, harmful comments.

It would do everyone good to remember: Every bully has probably been bullied before. That nerdy kid who's mean online? There's a chance he gets beaten up for no reason IN CLASS by his classmates, while some teacher who should care, but doesn't, sits around doing nothing. That guy who's really angry and buff, with all those tattoos about murder, who's screaming that you're a faggot in online gameplay? There's a chance he was sexually assaulted by a relative in his youth, and never reported it, let alone came to terms with it.

The reason abuse is SO AWFUL is that it is a cycle. I don't ask you to have sympathy for them-- you don't have to, I know that some people really make it hard and sometimes, that's just detrimental to solving the problem. But DON'T CONTRIBUTE TO THE ABUSE. I don't care how funny it is or how much you want to fit in to what you have perceived as the mob mentality. Abuse is abuse no matter who you are and no matter what your reasons are.

Don't poison the good thing that Anita Sarkeesian is trying to do by countering abuse with abuse.

Edited to add: Shakesville also has a good article about this:

Saying "it's just the internet" enables the abusers and harassers. That phrase is their ally, their justification. It lets them off the hook for behavior that could be considered criminal if done in person. It shifts the blame to the victim of the abuse by suggesting they just need to, say, "grow a thicker skin" because it's somehow not real because pixels and wifi and anonymous commenting ability.
dev_chieftain: (leonard roland)
So, I use DW primarily, but I still have to log in to LJ to check out about 80% of my FList's posts and comments-- you stubborn bunch! *impotent fistshake*-- so I see various things that are on the LJ log in page when I do. Recently, this included a link to a post going over the various standpoints of certain popular-by-modern-standards authors on the subject of fanfiction.

This is nothing new; a lot of authors dislike fanfiction when they actually see it. I feel all sorts of ways on the subject, but I think the biggest problem with fanfiction is that it is largely reviled by everyone else.

So, here's why I do (and don't) write fanfiction anyway.

1. Fanfiction is a great way to keep yourself interested in something you might otherwise lose interest in.

Take note, published and famous authors! That's right-- people stop giving a shit about things if they don't think of them every waking moment.

I basically consider myself to be stunningly normal when it comes to liking something. I do not, actually, identify as a 'fan'. I can get excited about stuff I like, but I can also zone out and not, in fact, be thinking about anything fannish in particular. I'm more likely to be thinking about my life: bills, work, friends, family, projects, whether I can take fencing lessons with my bad knee, that sort of thing.

This is not so with fans.

Do you know why Harry Potter got seven movies, J.K. Rowling? It is not because you wrote seven books. C.S. Lewis wrote seven books, and at most got three (barely) movies. Mercedes Lackey has written more books than seven and a lot of them would be great movies, but she doesn't have any. Anne McCaffrey wrote a slew of books that would be great movies, but still none.

Why is that?

Well, I'll tell you why. It's because for the duration of the time it took for you, J.K. Rowling, to finish writing your books (books I personally don't have any strong feelings for, to be honest), your fans were obsessed. They managed to keep up that frantic obsession by writing fanfiction, drawing fanart, making fan-parodies, having Harry-Potter-themed-weddings (oh, I wish I was kidding) and doing all sorts of things that meant living, breathing, eating, and sleeping Harry Potter.

So, you can thank your fans-- not yourself-- for your wild and insane success. Oh, and your marketing department, probably.

So why write it?: To keep my focus on a fandom for longer. I have a very short lifespan as a fan of something who's willing to put the kind of effort and love into a fan project needed for fanfiction. Like many fanartists, I at most am likely to write one, maybe two fanfics for something I really liked, with the rare exception of fandoms I get really into. Writing that fanfic or drawing that fanart reminds me of all the reasons why I loved the source material, and even leads me to look for sequels or new merchandise, sometimes.

So why NOT write it? To let me live my damn life! I don't like it when fandom takes up more of my time than my own personal endeavors. I used to roleplay with online crowds exclusively, lacking pals in real life to hang out with (I know, forever alone sad nerd times, right): the problem with this was, nobody wanted to DO original characters. So even if I was in the mood to write me some original fiction, I often didn't because of the peer pressure from my friends who insist that they are NOT creative, who wanted me to waste every waking hour roleplaying, fanficcing or drawing a character that belonged to someone else, instead. If "I have a life, god damn it!" isn't a good enough reason to say NO to fanfic, I don't know what is. It's the most compelling one I can think of by far.

2. Fanfiction is free marketing!

Here's another funny story. You know the Final Fantasy games? I'm sure most people played them because they were already into the idea of video games and whatnot, but I'm not quite the same, here. You see, we didn't have the newest, greatest game systems, and no one in my family knew of RPGs, so it wasn't like we could get FFIII (that is to say, VI) for the SNES while everyone else was playing FF9 brand-new.

Well, thanks to fanfiction of a show called Ronin Warriors, I became deeply enamored of certain fanfic authors, and wanted to read more of their stuff. Even if I didn't know the source material! So I read everything they had on this one site, even fanfic for Final Fantasy VII, and VIII, games I'd seen displays for but never dreamed of playing.

Because of those fanfictions, when we later finally GOT a PS1, I urged my brother to give those games a shot. I was so damn curious what they were really like! Would they be as funny and sweet and sad as the fanfictions I'd read online? Only one way to find out. (Shelling out money!)

Thanks to those games, I ended up buying almost every FF game that would play on that system. I bought FFX, and even Kingdom Hearts because it'd have those same FF characters I loved in it. It didn't take much to hook me, but I needed that little push to even know that the possibility for such games was there at all. Fanfiction led me to buy the real product. I am sure I'm not the only person that this has ever happened to.

So why write it?: I like this thing! So I want other people to like it too. Fandom's a great way to share what I like!

So why NOT write it?: Sometimes, sharing is bad. Especially if it turns out that the people you shared it with want to inject porn into your kid-friendly cartoon; or gore into your paradise; or religious debate into your neato fantasy setting.

3. Fanfiction helps authors to practice, just as any writing exercise does.

This is the most important by far. Fanfiction is NOT an acceptable substitute for writing practice if you're seriously interested in becoming an author someday, but it definitely provides a lot of the same challenges writing a real book does. Can you make something interesting happen in the course of your story? Can you keep people's interest, even if they don't know who these characters are, necessarily? Can you make sure that the story has a clear setting, an understandable PLACE where things are happening?

Can you actually finish your story?

These are all legitimate challenges, and they're tough to get past even with all the help that fanfiction provides. You're being spared the necessity of coming up with your world from scratch, your characters, even your plot, in some cases. You can use fanfiction to practice your prose, or to hone your wit with short stories. You can use fanfiction to shamelessly do all the TERRIBLE things you know you should never do in a real book-- like have everybody fall in love with your Mary Sue self-insert and make your favorite pairings happen, and whatnot. This is no substitute for writing your own, original works, but it still helps improve any original works that you might put out afterward, as long as you're actually striving for improvement.

Also, confidence is a tricky thing. It's important that you feel confident you can finish something you start, and sometimes finishing even a short story fanfiction is a big step on that walk to self-confidence. The value of fanfiction as an original production, something that you can publish in print or sell, is very low*. But the value of fanfiction as a tool for self-development is very high.

So why write it?: To improve! And also, to destress. Everybody has their hobbies. Not everyone wants to write professionally, either, so it's pretty unfair to rag on people who write fanfiction by claiming that they should quit it and write original stuff. I am an aspiring author, but not every potential fanfiction author out there feels the same way. Not everybody wants the same thing out of life, so it's not a reasonable scale to compare people on.

So why NOT write it?: Here's the most dangerous one, I feel. It's very, very easy to spend months, or years, writing nothing but fanfiction. The trouble with fandom is, it's composed of people who are VERY EXCITED about the thing you are currently writing about. They want to see more because they have a shared interest with you. Never mind that they could someday find themselves fans of your awesome, original idea that is now manifest as a book series-- right now they're excited that you're here, writing fanfiction about something that they love. Fandom is a dangerous environment for any creative person, artist, author, whatever, because it's very easy to get wrapped up in fanworks to the exclusion of other projects. The amount of improvement in one's work can be matched or even outstripped by the amount of atrophy that occurs in the other creative muscles, and that's bad for later productivity if you DO want to be an author, or artist, or whatever.

* - I think it's really important to note, here, the distinction made in societal consciousness between fanart and fanfiction. It's been my experience that fanart is generally more well-received by creators than fanfiction; further, I've known multiple fanartists who make their own products using copyrighted intellectual property, and sell those products. (Doujinshi; commissioned fanart; buttons; statuettes; clothes; toys; handmade jewelry; there are a LOT of examples.) A fan-novel could probably be sold in the same way, but it seems that fan-novels are both less common and more openly protested against by authors and whatnot, and I'm really not sure why this is.

What it all comes down to is this: I don't like writing fanfiction, but I also enjoy writing fanfiction. I don't like feeling like my friends are judging, laughing at, or mocking me when I write fiction of ANY kind, but I feel the most like that when I try to write fanfiction or fanfiction-like things (such as "fandom" roleplay). By contrast, I love sharing my fanfiction with people online, and am always happy when people like, or are emotionally affected by, works that I have written, and since I'm still getting my feet wet in the realm of "published original fiction", most of the response I've gotten in the past from people who liked my work was response to fanfiction.

It has value. But it definitely isn't everything.

Now, Game of Thrones Season 2, Episode 1:

I am still really impressed by all the ladies in the show. Generally, I don't really have any interest in reading these books because the setting is unrepentantly sexist in a way that so severely limits women's rights that, for example, it drove Circe insane. That's pretty messed up! But the ladies in the show are cooler than their book counterparts, from what I did read.

I still hate Bran, and wish he'd go away.

They are now green-screening the direwolves. IT IS HILARIOUS.

Before I go to bed

Sunday, April 15th, 2012 01:47 am
dev_chieftain: (rain)
1. Bra shopping

I had to get new bras. )

2. Movie time with Emma

The gist of this is, Mirror Mirror is a romantic comedy, but I was expecting better of it. )

I will say it tried a little, though, and Sean Bean does know how to tug at the heartstrings a bit.

Movie could have used more dwarf scenes. They were seriously the best part.

Oh! And who put in the drawn out "attacked by badly animated CGI puppets" scene? Seriously, that was just-- not funny or entertaining. It just felt long to sit through.

Final complaint: Just say the whole name. "Snow" is a dumb nickname. Every time someone called her Snow, I wanted to reach through the screen and punch them.

Interesting note: I did have dreams the following morning that involved being pestered by the robot other-self of Julia Roberts, who I kept grabbing by the head to snap her neck. She unfortunately kept reappearing and butting in on whatever it was I was doing in my dream, so I kept doing it. It wasn't a violent or evil act in the dream, but it felt odd to have been dreaming about something like that when I woke up. Mostly I was frustrated that it required so much effort, but wasn't permanent because she was a robot.

3. The neighbors

I met our actual neighbor last night. The one who was screaming for help the night I called.

She, as we suspected, thought we were making ALL of the 911 calls, and that we were complaining about noise, and I explained what had happened. Why I had called, and only called once.

She told me how upset she was. (She was a little tipsy and holding an open can of Bud Light, so probably feeling pretty vulnerable.) She's trying to get her son back. She was trying to do a nice thing for friends of hers across the street who'd been evicted by letting them stay at her place. These friends are the ones who fight all the time and have gotten her the eviction notice. These friends are the ones whose presence have led to her boyfriend abusing her, and beating her the night I called. These friends left pot in her apartment, which nearly got her arrested.

I told her how upset I had been that the police did nothing to help her, and that I had called because I was worried about her; never about the noise. Never because I would want to kick someone out of their home.

She said, "I don't know where I'm going to go. And it just-- sucks. Because I never even got to properly introduce myself to you guys, you know? I didn't want to be the shitty neighbor."

I held out my hand and told her my name.

She shook my hand and told me hers.

I told her I hope things get better for her. Soon.

Her boyfriend came home while we were talking, and after he went into her apartment, she leaned in and whispered,

"I'm really glad you did call. Thank you. I'm really glad you did."

And then I cried for a while. I'm really glad I called, too. Even if the police didn't do anything to help her, even if I've contributed to any of the bad stuff, even if we have to live in fear until the eviction is done.

Maybe it made some tiny difference for her to know that someone heard her and cared. I really hope so.

I don't know how to do better than what I tried to do. I can't offer her a place to stay, or a way out. I wish there was something concrete I could do. I do think I might start volunteering somewhere, or at least look more heavily into jobs where I could help people who are really in need, more like this. I had already looked a little, but I was being kind of a wuss about it and letting myself be chased off by the fact that I don't have the prerequisite qualifications yet. Maybe I can get them.

4. D&D

I am still mopey now, and was definitely mopey in the morning, with regards to the conversation I had with the neighbor. D&D fortunately was scheduled for today though, and that helped to keep my mind off of it for the most part. (It's pretty hard to be mopey when your friends are being awesome at you.) We did start late because Bret bailed on us without letting us know earlier in the day, so we were waiting for him to show up; but we had a blast. The group we ended up with has a great dynamic!

Most of the session was spent alternately kicking ass and making fun of the Ice King-- er, Winter King, but we couldn't resist calling him Ice King, really-- as we explored his mysterious castle and took out his creepy army. The gist of things was, back in Sweetgrove, winter had mysteriously started out in the middle of late spring, and everyone was puzzled by the sudden, unseasonal snow. A magic flying boat full of undead warriors crashlanded in town and started attacking everyone. By the time Tamli and Charlie drove off the jerks, they'd already killed a guy; and it turned out that the winter would be eternal if we couldn't return the Ice King's scepter.

We did end up returning it, but then the guy had the gall to ask us to kneel before him. While Charlie politely gave it a shot, Tamli, Alice and Damien were having none of that, and with Charlie's reluctant assistance we were able to trash him. (A lot of this session involved Tamli shouting victoriously over fallen foes, Charlie neatly and efficiently clobbering things when they least expected it, Alice wearing the mysterious Ice Crown and sneaking around in the nude, and Damien discerning magical secrets with his keen eyes and other senses. There was also a point where Damien breathed fire for a bit, which was awesome!)

When we got back, Tamli rushed off to the church to resurrect the civilian who'd been downed by the undead soldiers. She'll be spending the next two weeks helping work the poor guy's farm while he rests up. That frees up Fletcher to be available to help the town guard, who Danny hilariously joked are close to installing a Batman-esque signal with a bow and arrow on to summon him.

Ultimately, we returned back home richer, but it took us long enough that a big group dinner was needed to refuel us afterward.

Tomorrow I get to see my brother, since he's in town. I'm very excited to see him! He also sent me a mystery text around midnight...curious!

DS9, and hey Dustin

Thursday, April 12th, 2012 02:42 pm
dev_chieftain: (Default)
Dustin, I need to make you watch Past Tense. It's a two-parter, but it's also a DS9 episode that is NOT about the actors playing shadows of their real selves. :) Oh, and Explorers, because it's the cutest father/son field trip ever.

I keep coming back to pretty much all of season 7 Deep Space Nine, and having some serious problems with it. I had my little issues here and there all through the show, obviously, but for the most part I think I love it unabashedly. And even though I feel like a big chunk of season 7 tried to ram Ezri down my throat (a choice I don't agree with in the first place, being of the mind that bringing Dax back was a little weird and counter to Trill culture, after making such a big deal about past lives in the earlier seasons), the only thing I really take issue with is the ending.

Detailed spoilers below! )
dev_chieftain: (opinions)
The reason being that Sweden's got some potential to be moving towards gender equality, which is a cause I think is worthy.

Of course, the article itself can't abstain from the doubt that comes of most people thinking about a world in which, gasp, gender is forcibly NOT permitted to be used as a discriminating factor. The comments, even worse, are like poison; nobody gives a shit if women are granted equality, or people who do not identify with any traditional gender roles are given the opportunity to develop from youth.

The article goes to great lengths to say "What about the children?"-- yes, what about the toddlers, who are too young to say they would prefer to be treated as men or women?

Well, what about them in the current set up, assholes? Parents are indoctrinated from THEIR birth to treat girls one way and boys another. Studies have shown that if you tell a parent that the baby they're holding is female, they'll be more overprotective of it and keep it closer. If it's male, they'll be more likely to encourage it to explore. It doesn't matter what gender the child actually is-- both are just as likely to want to stay close or go ranging-- but the parent, who is already socially conditioned, has notions that are transmitted to the child.

The article cites, as if this is proof of some great crime against these lucky toddlers, that some schools in Sweden have removed certain types of interaction or toys because they found that the children would revert to existing societal roles that they're working hard to abolish, otherwise. I don't see this as proof that the kids just love being jammed into the existing social stereotypes-- on the contrary, the parents of these children will have grown up in a society that still gave them the same bias that every other society already has. In the home, the teacher has no control, no ability to help give all children an equal opportunity to speak.

Having grown up in a world where I was always shunned a little bit for being willing to speak in a public forum (a shameful thing for a girl, who is societally expected to shut up and listen when the men are talking), for being eager and quick to learn (how dare I make men feel threatened by being intelligent), for preferring to do sports as a kid to playing with the other girls, whose two-faced nature repelled me, I can honestly say I would have loved a school environment that was as free and open as my home environment. My parents put no expectations on me. Two-year old Dev wore coveralls and had short, curly hair; five-year-old Dev had long hair because it was Cool, swam constantly, and played with dinosaurs and sandcastles in the backyard; nine-year old Dev was pals with the boys, played basketball every day during lunch, was ostracized by her female peers with the exception of one or two girls, and struggled confusedly with the concept that she should already have a boyfriend, which didn't seem desirable or to make any sense. At school, I had to deal with things that didn't make sense to me; when my grandparents visited, I had to deal with old-fashioned and inaccurate expectations of what it meant for me to be a little girl. But at home, with just my parents and my brother, I was who I was. I liked things from both sides and as it turns out, both genders appeal to me.

So to heck with all this fear of the unknown. Anyone who thinks making an actual, concerted effort to change the world so that women get true equality is a bad idea doomed to obvious failure because "gender identity" is "hardwired" by your sexual organs is just afraid of what might happen. They're repulsed by the idea of a world that, to them, is so different from their comfortable norm.

I think they can deal with being slightly uncomfortable and learn to accept it. Moreover, I think they should.

And I think I might have to consider the merits of someday moving to Sweden. You know, if I ever make it as a successful author, or something. That'd be kinda nice.

Edited to add unrelated notes: Man! So I bought these amazing chicken-stuffed-with-spinach-and-cheese things from the grocery store for my lunch. It's just grilled chicken + spinach, cheese and tomatoes, and it was totally delicious. They were on sale, so I'll be having those for lunch at work for a while. Also probably great to have at home for dinner with Danny, so I'm keeping that in mind.

The way they're made is a little clumsy, though. Having had flank steak with peppers and cheese actually cooked inside the meat, I think I could probably do something similar with chicken and whatnot and get to choose what goes in. Sounds like a good choice for experimentation-- stuff 'em with garlic, spinach and onions instead, maybe. I do like the cheese, but I think these'd go best with a small side salad, and cheese is filling, so it wouldn't be totally necessary, per se.

Tonight we're going to be making tacos for dinner, which both Danny and I are looking forward to.
dev_chieftain: (gulpo)
-Important stuff-

Check this out: Education Petition: Help Brooke Harris of Michigan get her job back

What's the story: Brook Harris assisted some interested students of hers in attempting to organize a fundraiser for Trayvon Martin. They live in a world where they, too, are threatened by trigger-happy "watchers" who automatically suspect them of doing wrong simply because of the color of their skin. So, they wanted to learn more about what was happening, and try to make a difference. Harris brought their proposal forth, and was suspended, then fired for it.

Their reasons are that teachers presumably shouldn't be 'activists'.

The message being sent here is, "We don't want the children of this world to speak out against oppression, wrongdoing, racism, sexism." And that is WAY out of line. Brook Harris was doing the right thing, and by my book, she sounds like a great teacher, genuinely engaged with her students and caring about them.

Please sign the petition, or at least pass it to someone who might consider doing so. Heck knows I'm doing what I can to do the same.

-Just plain normal stuff-

So, last night I joined in for the tail end of Dustin's Legend of the Five Rings module. It was really awesome! He'd made pregenerated characters for everyone, and the system was really easy to pick up. I had picked the warrior/poet, because I kind of like the wacky iaijustu, haiku-for-every-kill dealie. I got to try my hand at it, which led to a couple of decent haiku along the way and Derek laughing a lot! Derek was playing a druidic priestess who abhorred violence, which was troublesome, since there were blood mages around. Dyrr was playing a badass tattooed monk who was partially on fire most of the time.

It was fun, but afterwards I was terribly sleepy! Despite that, I got very little rest. Cid kept crawling on me for some reason. Eventually she settled for sitting on my chest and staring down at me for a while.

Edit: Man! This "article" about the Hunger Games tiptoes around discussing gender and race issues, but the ending really bugged me:

"Last, Rue (who’s played by a biracial actress in the film and is described in the book as having “satiny brown skin”) may narratively function somewhat like Leatherstocking’s Indian companions, yet she is far from the clichéd “noble savage” type.

Some racist moviegoers, who may be reading white-supremacist fantasies into the survivalist aspect of the story, have complained that Rue looks black (whatever that means). In truth Rue, Katniss and Peeta exist in a new kind of frontier that is a dystopian nightmare but one that has its utopian moment — which may largely account for the film’s popularity — in that race and gender stereotypes have become seemingly irrelevant."

-From the New York Times

I don't really agree with these two about gender precisely, but it's the sort of disagree that partially comes of actually being a woman, as opposed to trying to understand what it's like to be a woman who is frequently disappointed by a lack of interesting female characters in entertainment. So I think they're doing all right at at least talking about it, and being open to the idea that masculinity and femininity are kind of bizarre and arbitrary concepts.

(For example, did you know that during the time of Beowulf or the Canterbury Tales, women were assumed to be the sex-crazy gender who just loved having sex too much to stop?)

Anyway, the important thing to me is the end quote, though. The commentary that there's no divide based on race in the Hunger Games's setting simply because Katniss was capable of befriending Rue is absolutely ridiculous. There's an awful lot of white people in Panem; in fact, the only black people seem to mysteriously be relegated entirely to District 11. I hear in the books, Katniss's skin color is olive, with a sort of additional implication that that's relatively common for District 12. (Olive, for the record, usually refers to Hispanic skin colors-- so that might not be unintentional on part of the author, who didn't strike me as very subtle about the issues she was trying to tackle). There are also notes within the books (so I've heard from reading up on them, the internet at large, and people who have read the books) about the fact that being blond, blue-eyed and white is desirable in Panem. So to claim that race is overcome by the setting, while a nice sentiment, is totally untrue. Race and class matter in Panem; that's part of what's so awful about it.

What really irritates me, though, is the comment about Rue not being a noble savage stereotype. I'm sorry, did she or did she not

a) possess incredible wilderness skills outstripping the hero's
b) inexplicably but helpfully befriend the hero when she was in need
c) heal the hero with wilderness knowledge and magic nature medicine?

Right, she did all three of those things. And the most important thing about noble savages is, the stereotype exists because these characters are not the main character, and they frequently die. Check, and check.
dev_chieftain: (simon belmont)
Apparently Wisconsin has decided that women don't deserve equal pay to men; read all about it.

This is utter bullshit. This has to stop. Apathy and defeatism are the disgusting slugs in the belly of the internet.

I have some congressfolk to write.

Edit: Honestly, I read this one too the other day, and while I consider it more of an opinion piece, I still think it's important and accurate. I've definitely experienced what Valente is talking about here; I can say something MANY TIMES, but my companions-- male or female, but especially male-- will later say the same damn thing as if it is their unique and original idea.

This is not slapstick; this is extremely frustrating, this is being ignored, and this is being shunned and treated as a second class citizen.

Pointing this out repeatedly to Danny got him to start crediting me my ideas. It's easy when you're not the person being ripped off-- when you're not the artist whose work is being copied, or the author whose words are plagiarized-- to laugh and go 'what are these people even talking about? I guess I understand in theory, but it's not like it's that big a deal'.

Belittling the frustrations of other people-- laughing at them while also refusing to acknowledge that you are hurting them-- is no way to solve a problem. I'm very grateful that Danny eventually came around and started to point out when something is my idea. It makes me feel a LOT more willing to excitedly tell people when something is Danny's idea, as well.

But you know what still happens around the D&D table? Whenever it's my turn during a combat, I usually have to repeat myself four or five times. Especially if I have a question. This doesn't happen to the guys around the table, and I assure you, it's not because my voice is of a more dulcet tone. This is something I wish could be improved. Until it's acknowledged as a problem, however, it can't be fixed. And in the meantime, it is being ignored.

To immediately demonize a woman for daring to criticize someone else-- no matter who they are-- is criminal. It is an effort to silence that woman and keep her from speaking, and that is not a worthy or acceptable aim.

To ignore, shun, or laugh off a woman's input is equally criminal.

Listen to the people around you. All of them. Even the ones you don't like very much. We are all humans. We all deserve the right to speak, the right to live, and the right to try to make our lives better.

The government we have right now is doing a shit job of helping that to happen. We are entrenched in outdated notions of societal structure, and the importance of religious affiliation to societal integrity. YOU HAVE THE POWER TO CHANGE THAT from the ground up. Make it happen. Don't vote in politicians who're willing to do crap like this.

Please, listen to me. Listen to us. Women are people, not prizes, not children, not possessions.

And in a moderately related note, it is this attitude, this backwards creepy sexism, that makes me reject the 'marriage' custom. The ritual selling of the woman to the man, dolled up to look as attractive as possible so he will feel like he's getting something valuable? No thanks. I wouldn't inflict that one someone I love. I certainly wouldn't accept anyone who claimed to love me trying to inflict that on me.
dev_chieftain: (Default)
The difficulty with being someone who is denied a right that is treated like a privilege is, the people doing the denying will not want to admit that they are doing or believing something wrong. They will so violently work to deny that THEY are responsible that the issue becomes totally obscured by their attempts to lash out at the people who would dare point out to them that something unfair is being done.

Right now, I'm talking about sexism specifically; but this applies for all of it. It's far easier to get defensive and deny that you, personally, are responsible for even the tiniest part of a problem than it is to gracefully accept that there is a problem, and to resolve to work as hard as possible not to be a part of the problem in the future.

Number one important thing: This story pretty much identifies my number one problem with the anti-birth-control legislations going around lately:

"I was forced to be pregnant" on Tumblr
"I was forced to be pregnant" on Livejournal

(Same story, two different places in case you prefer one over the other as a blogging media.)

Pregnancy should always be the choice of the person who actually has to deal with it. Men get ridiculously entitled about women, sex, and children. Society indoctrinates them to believe that yes, they Deserve To Win the Woman-- that Woman is a prize-- and that if they don't, it's just because they didn't try hard enough to earn it. And worse, society also indoctrinates men and women alike to treat women as never fully achieving adulthood. Is it acceptable for someone to call a man 'boy' to dress him down? No. But any time anyone wants to assert their superiority over a woman, they can and will call her 'girl' (or go straight to cursing, if that's their preference), and it's not even considered weird.

This has been on my mind for a while. It's difficult to listen to the radio, because if I do, nine times out of ten the songs are about how the woman in an imaginary relationship needs to take back her cheating / abusive / negligent / otherwise cruel boyfriend because, really truly, he actually loves her.

How about 'Pina Colada'? The set of the story is that the man was looking through the classifieds for some new woman to fuck because he was bored of the old one. But, silly me! It's ALL OKAY because the ad he answers turns out to be hers, so they deserve each other and it all works out. How about Cat Stevens' 'Wild World'? I want to like Cat Stevens, but I just can't when the whole purpose of that song is to tell someone he is addressing as 'girl' that she shouldn't go out into the world and away from him because she'll be sorry, it's way dangerous. It's also present in multiple Beatles songs, and much as I love the Beatles, I always felt especially uncomfortable about the following two songs for related reasons:

Better all the time
I used to be cruel to my woman, I beat her
and kept her apart from the things that she loves
Man, I was mean, but I'm changing my scene
and I'm doing the best that I can

Run for your life
Well, I'd rather see you dead, little girl
than to catch you with another man
You better keep your head, little girl
or I won't know where I am

You better run for your life if you can, little girl
Hide your head in the sand, little girl
Catch you with another man, that's the end, little girl

Now, what really bothers me about all this-- the lyrics in the music, the general refusal to accept women as equals and the intentional separation of them by use of diminutive pet names and terminology-- is that it's abusive all the way down to the core. It's manipulative, and it's ugly, and the worst part of it all is that nobody wants to acknowledge it.

If I talk about these issues, I get labeled an "angry feminist" by my coworkers or friends. If I point out that some of these coworkers and friends ARE in and of themselves sexist (especially those that are female, because it freaks me out to have other women telling me that I should do all these societal standard things because it's pretty unladylike not to), not only do they become outraged, they become immediately defensive. Beyond that point, NOTHING I SAY will get through. It doesn't matter if I have proof of the sexism or not. The response I get is not "what? I don't want to be sexist! How am I sexist?"-- it's "How DARE you infer that I could possibly be sexist, little girl!"

Another recent example that seriously depresses me caught my attention late last night, before I went to bed. Tarol Hunt, that guy who does that comic called Goblins, got into another internet fight with someone accusing him of being a rape sympathizer.

Here's the rundown:

-Goblins and Gunnerkrigg Court are being pitted against each other in a relatively meaningless internet competition to vote for your favorite webcomic. They're in the final round, and unfortunately, it's an internet contest, so lots of people are badmouthing both comics back and forth.

-A presumably female commenter commented claiming that Goblins' most recent page had some nasty rape implied on it, and that she was offended, and that the comic was misogynistic.

-Predictably, the fans exploded over it. Some hate Goblins for being misogynistic now, while others hate this woman and are trying to send her death threats for criticizing their beloved comic.

-Worst of all, Tarol Hunt's response was to Very Maturely insist that no way, he totally isn't a rape sympathizer or a misogynist! And how dare she call him that! He's very, VERY offended that she hasn't offered him an apology for her totally unfounded statement.

Now, here's the thing. I've been reading Goblins for ages. And the most recent page DID briefly confuse me. Because of the paneling and the choice of words on part of the demon, even though I was fully aware that the demon should be addressing the AU MinMax (the blonde bald guy), and not Kin (the naga), I wasn't immediately sure. I was confused, and had to reread the comic, wondering why he'd called her a bitch after she did what he wanted, let alone threatened her with being attacked by demons in the afterlife.

Now, for the record, I didn't assume rape; I assumed violence. But it wasn't completely clear, and I knew what SHOULD be happening. So some of that is poor word choice. I think having a demon call a guy 'bitch' isn't necessarily the most obvious choice when there's a woman right there, especially to someone who might just be looking at the front page of the comic, and not reading through the archives. So, while I think the woman totally overreacted, I also think Tarol Hunt seriously overreacted.

He also has gotten into arguments about this sort of thing before, and to be quite honest, I was disappointed with the level of his maturity handling it then. The fact of the matter is, he's really sensitive about this issue. There are only three or four female characters in his comic, and one of them is an in-joke about a man playing a sex-object female character in a D&D game.

Kin's backstory? Is that she was enslaved for years, which she spent being beaten daily and then raped while she was still injured.

So regardless of his personal feelings with regard to this woman's misunderstanding of the latest page's intended effect, Tarol Hunt ought to know better than to complain loudly and angrily that he is being unfairly persecuted for having a potentially misogynistic comic. My guess? He feels really uncomfortable about such accusations, because they have some basis in reality. When you only have four female characters, and two of them are embarrassing stereotypes, I think it's easy for an intelligent person to connect the dots and worry 'oh, geez; this doesn't reflect well on me. One of my characters is a slutty bimbo stereotype, and the other is a rape-survivor who fell in love with the first guy she saw after she was freed from her torturer.'

There is reason for Tarol Hunt to be concerned that his comic might be construed as misogynistic because it is definitely sexist, and it has a dearth of background female characters just chilling out and being female characters, not having any tragic sexual violence visited upon them. Is it misogynistic? Well, I'd like to say it isn't. But I'm biased-- I clearly don't have much of a problem with it because I continue to read the comic, despite any gender imbalances going on.

But is Tarol Hunt an adult who should know better than to start a shitstorm over a moderately valid complaint? Yes, he is.

Stuff like this IS male privilege realized. Instead of just quietly clarifying, "I hope this page is clear; this is what's happening in the page, and if multiple people feel that it's not clear, I can redo it", he goes and starts shit on the internet. Am I supposed to believe it's sincere when he then belatedly posts in his blog, "Guys, REALLY, please stop threatening this woman on my account"?

It'd feel a lot more genuine if he wouldn't start the shitstorms in the first place.
dev_chieftain: (rain)
First, it's important to note that I have not read the books. The reasons why aren't complicated. I don't often have time to read for fun. When I do, I usually like to read something that is in the genre of speculative, science, or fantasy fiction; excluding those, I might read non-fiction to learn about something I think is neat, and so on. Young adult fiction rarely falls in my radar.

Aside from that, I just wasn't interested in The Hunger Games particularly. The concept sounded like it had been pieced together from a lot of other sources I've already read and enjoyed. I felt similarly about what I heard of the Twilight books, and about Harry Potter.

However, I ended up going to see the movie for the following reasons:

-Reviewers touted the movie as being an action film with a female lead. I wanted to see that.
-Reviewers and critics described Katniss as saving herself, and rescuing Peeta in a role-reversal of the usual damsel in distress thing. I wanted to see that, too.
-Reviewers of books and movie alike insist that this is Amazing Stuff, and well, I like to believe people when they say such things.

Overall, I give the story a B for effort. It tried hard to put forth the idea that children should not have to live in violence and it was pretty earnest about that. I liked that about the story, and I liked certain moments of the movie very well. The shaky camera gave me a pretty bad headache afterward, but it also brought out the emotion in a few of the scenes, while emphasizing the underlying theme (I thought, anyway) of Panem not being as amazing, wealthy or vast as it wanted its citizens to think it was.

However, as a fellow author, I feel that the author took the lazy way out on a lot of things, since none of the things I take issue with were noted as being different between the book and the movie.

Problem A: The ending.

Have you read Fahrenheit 451? I am going to spoil the ending for you if not. At the end, Guy Montague goes off into the woods to join the rebellion against the technocratic society that he used to help burn books and signs of past knowledge. His new fellows are the remnants of a society that used to teach literature, etc. Each member of the resistance memorizes a book and can recite it to new people so they, too, will remember. It's pretty cool, and involves a drawn-out chase scene where Montague ultimately escapes the authorities by hiding in a river to avoid being scented by tracking dogs.

Well, at the end of Hunger Games, Suzanne Collins is setting us up for a sequel. So instead of running off into the woods like she seemed inclined to do at the beginning of the story, Katniss just sort of sparkles in the spotlight and stays in District 12. I could not believe that this character, who had gone through that ordeal, was being given the option to go back home to District 12 in the first place. I really couldn't believe she was deciding to stay there instead of immediately pack her things and get the heck out of dodge, loved ones snug on her back.

I might forgive this as a movie failing if the second book didn't feature a second set of Hunger Games (ala Harry Potter, the series I blame for this genre of diluted-brand-fantasy-for-the-mass being so goddamned popular for the last twelve years), but according to wikipedia, it does. I also can't help thinking that the power-play between Katniss as a rebel of District 12 and the angry old man who recognized her as a potential martyr and said 'whoa, don't let her be a martyr, that will end badly for us' was tremendously fake. If he truly found her threatening, then he could have had her eliminated at any time after the games. It's downright stupid to let her go home- if it was Running Man, she'd be killed off screen and hidden away, since the illusion of 'winning' was needed but the actual winners were not.

And since Haymitch is around to give advice to new 'reapings', why is it that Peeta and Katniss are going home instead of staying in the Capitol to help coach for the future games? Well, okay. Say I accept that the Big Typical Evil Guy is fine with letting Katniss live, so long as she goes back to District 12. That's all fine. I could suspend disbelief for that.

Still: Why, then, does Katniss choose to stay there instead of running?

If Hunger Games had given even the slightest ounce of agency to Katniss, we would have seen her leading a big old group of people off into the wilderness to escape from Panem's Capitol at the end. But instead, she just goes back to District 12.

It's like she says to herself, "Welp! I enacted some shadow of social change and reform to help my oppressed brethren! Time to go home and be oppressed some more!" I am not impressed.

Problem B: "Saving herself" apparently doesn't mean what I thought it meant.

Katniss does an excellent job of not saving herself throughout the movie, and I confess I was left a little perplexed. The three top examples I can cite:

-Oh no, I've been burned very badly! Don't worry, have some magic burn cream that turns it into a scab in just a few hours. Courtesy of your pal Haymitch, and deus ex machina!

This was the most forgiveable instance, because we'd been informed in advance that it was likely to be necessary and how it could happen. I still didn't buy the magic burn cream wicking away her wounds, but how she got it made perfect sense. Unless, of course, you have a problem with the subject-to-sudden-gusts-of-wind parachute of medicine just happening to land near enough for her to actually use it.

-Oh no, I'm stuck up a tree! Don't worry; Rue has an idea of how to get me down. (This dovetails also with 'oh no bees! But Rue has magic healy leaves for me and she'll watch over me while I sleep, so it's cool.')

You know, as cool as it is for Rue to show up and help Katniss out by pointing out the beehive, it was pretty bizarre that she spotted the beehive and Katniss, who'd been stuck in that very tree and would have heard them buzzing at SOME point while sleeping up there, did not. Furthermore, doesn't it seem kind of vicious for Rue to have Katniss take out the competition while also putting herself at risk of genetically enhanced killer hallucinogenic bee-stings? I was severely interested in Rue when I briefly thought 'man! That little girl is smart and deadly! How clever she is, to play on her adorable little girl charms to take out a potential of SIX COMPETITORS all on her own!'

But no, it was really just that she wanted to help out Katniss. Which is fine, except for the part where I know I'm supposed to think it's "okay" to kill people by torturing them horribly with poison instead of just getting it over with and stabbing them, damn it. Also, I get the impression that it's "okay" for the brainwashed teens who were raised expressly to fight or die in this tournament, because they're jerks about it. Don't worry, Katniss, you did the right thing. But since you didn't trust Peeta and well, you did kill anyone at all, however circuitously and evilly, you get to have wicked hallucinations for a while.

It's cool though! Rue will give you the magic herbs you need to heal. And she will somehow defend your body while you sleep it off, despite being a tiny unarmed girl. Totally.

-Oh no, I'm about to get killed by a knife-wielding psychopath! Despite her smaller stature and my stronger muscles, I can't get up! Don't worry; the guy from District 11 is here to kill her for me so I can stay precious and pure. Which, by the way, is Problem C.

Problem C: If it's supposed to be so emotionally moving, then why is it Katniss only kills the straw-characters, and only through the most removed and complicated fashion possible?

I'm not gonna lie: There are about three actual characters in this movie. They're played by Ms. Lawrence, Mr. Harrelson, and Mr. Kravitz. And for most of the movie, that means there's only one actual character, because the other two aren't part of the actual games.

This is not because they're better actors, though I think being older does help. It's because the rest of the sacrifices are just actually, literally sacrifices. Just because it's veiled in the deceptive coating of comfort doesn't mean it's less horrible to kill them. The movie avoids making you feel bad about the slaughter because there simply are no other characters. It doesn't matter if Katniss kills them, because we don't get to see their interviews and their lives and feelings. We don't get to know them as people before the games, so it's not like we care that they're dead, after. Furthermore, it's implied that it'd be okay for Kat to kill the kids from Districts 1 and 2, for example, because they're snobs who got special training for the Hunger Games and the privilege of volunteering. We're encouraged to feel, "Oh, they acted like jerks, so it's all right that she killed them. Thank goodness Katniss is still alive and safe, and pure of heart. She just wants everybody to make it."

Katniss gets to evade the dehumanizing horror of the match by not having to kill anyone directly. She uses a bow, which means she can kill at range; when she doesn't, she uses genetically engineered bees (a far more horrible, painful death than just being stabbed-- but it's okay, she got stung too) and the other competitors take care of the rest for her. While I think the use of the bow is a good idea, because it lets her have an advantage, I would have much preferred to see the struggle Katniss had to go through of actually killing people. Not strawmen-- it doesn't count if we as an audience are comfortable with watching them die. People. Actual people. People like Rue.

The only kill that counts, as far as I'm concerned, is the kill that kills someone Katniss didn't want to kill. Otherwise, the point of the story is something else. If the point of the story is that she beat the Hunger Games with the power of the Human Spirit (a plot device I actually like; I think of it as the Flash Gordon/Pulp way of winning a fight), then Katniss doesn't need to kill anyone at all. She needs to be a far more outgoing person, and to sway the combatants to her side, turning the twenty four sacrificial lambs into a cooperative entity that fights back against The Man. Given Gale's dialogue at the beginning of the story, it would have fit just fine. I mean, it would have been nice if Katniss had suggested it herself, but here's the thing.

Katniss's response to "we should stop watching and not let them have power over us. We shouldn't let the Hunger Games control us" was "it'll never happen." Katniss is ridiculously fatalistic. She doesn't believe she can get through the bloodbath without killing. Yet despite that, the story focuses not on how she manages to deal with the fact that she's going to be killing people and that she has to do it, but on how she avoids ever actually doing so.

Let me explain.

As big a deal as was made of Katniss concentrating on shooting her bow, she actually only used it to attack three people. Person one is justified because he was attacking her and killed Rue. Person two is justified because she was already attacking Katniss with throwing knives. And person three is the last competitor who isn't from District 12. He's willing to kill Peeta, he's willing to die. He's suffered the games, just as she has. Though he's a non-entity until that single moment, in the moment before Katniss kills him, her enemy is made into a character. He's resigned to his fate and feels powerless.

So the only kill in the movie that mattered was this guy. After all the talk of Katniss shooting squirrels right through the eye, I would have been impressed if she shot her enemy through the eye in this moment, unfazed by his hold on Peeta. I would have been really impressed if she'd hesitated just long enough that he actually snapped Peeta's neck, and then she shot him. I know, I know-- that would have made Katniss less unique if she only won the games "standard", but I also think it would have made for a better story. I was interested to see Katniss get to understand Haymitch better, as a fellow survivor of a gruesome battle royale.

Instead, she shoots his hand (freeing and saving Peeta), and then Peeta throws him to the magic holo-wolves. Katniss does end the poor bastard's life, but out of sympathy, not because she had to make a hard choice. She basically cheats her way through the Hunger Games, empowered by the author's own hand, without ever having to confront the hard choice that the games are supposed to be all about.

Problem D: The ol' Intent Stare

Katniss had this problem to ludicrous degrees. The actress clearly was capable of doing better than Deer In Headlights Stare all day, but a large part of the movie focused around her staring blankly at people and looking terrified. This is not really interesting to watch (I would have accepted a voice-over internal monologue if there is one in the books that I missed out on, guys!) and considering how well she did "rage", "upset and crying" and "terrified for her friend's life", I was disappointed to see the actress spend most of the movie acting like a statue. Whoever decided to direct it that way, I hope you can blame the script. Because geez. What was that?

Problem E: Deux ex Make the Show Go Our Way

The fireballs to make the forest fire, the imaginary dogs, the night-to-day-to-night-whenever-we-feel-like-it? What the hell was that? Lazy, is what. If she's inside of a goddamn simulation, who cares if she's near the border? She can't leave because there's a wall there. Make it an electrified wall if you want. In fact, that would have made sense since then escape attempts equal death. Instead, we have this ludicrously over-elaborate plot with the people running the show creating a forest fire (which should have spread and taken the whole forest, since it didn't rain and we all saw how Bambi turned out. Forest fires are nothing to sneeze at. But it simply faded away after injuring Katniss).

Then there's the "we want to finish it soon" part of the film, where they're trying to rush the Games. Instead of no longer providing food, or something really simple like that, the show maintainers create holographic dogs to go after the competitors. ....why? I mean, Panem's rich, right? Why not...actual dogs? Or wolves? Why not just release them into the enclosure?

I was not clear on why the competition was held inside of a holographic false-wilderness but I was especially not clear one why they were changing what time of day it was arbitrarily. Did the author just include this feature so she could have it be whatever time of day she wanted and not worry about continuity errors?

Overall, the whole event was managed in a way that left me wondering how the Expendably Wacky Beard Guy had gotten and kept his job in the first place. If you want someone in particular to win, can't you just engineer their success? If you want someone in particular to lose, can't you kill them? If you're lobbing fire at them already, I mean...what's the point in only doing it halfway?

Problem F: Editing

Overall, the movie was still a good watch. I wouldn't say "enjoyable", since it took itself extremely seriously and it was about a moderately serious premise, but I don't regret watching it. However, the movie is an overwhelming 2.5 hours long, and involves so many slow pans, long shots of eight different angles of Katniss tensely drawing her bow and preparing a shot, and long, drawn out scenes with no surprise and no punch to them that I was honestly surprised to find that some content had been cut out of the movie, for whatever reason, from the book.

I feel like better editing could have shortened the movie by about forty five minutes and made it more interesting. I hear the book is VERY fast-paced and full of action, and I don't doubt that the book would have been harder to dissect and find flaw with than the movie because of this difference.

Oh, but the whole mockingjay pin thing was WAY more trite than I'd expected it to be! Seriously? She JUST gave it to her sister for luck/protection (and it failed, too-- hence, drawn for lottery), so her sister immediately gives it to her the next hour or whatever. I thought that was pretty weak. I hope in the books it didn't happen like that, because if I can blame it on weird editing timing, then the pin being ridiculously significant to the franchise would be less goofy.

ANYWAY.

So would I recommend the Hunger Games movie? Sure. If you've read the books, I think you'd like it. I do hear it's pretty true to them, and the movie was still a good watch. I liked Haymitch, Rue, Katniss and Fashionista Guy, and even though I found the repetition of "girl on fire" almost as silly as saying "may the odds be ever in your favor", I liked the costumes too. I will forgive the silly spinning-dress-on-fire scene and the unsubtle symbolism of a sacrifice being set on fire because I like to think that the Fashionista Guy and Katniss wanted to fight The Man by calling attention to the screwed up nature of the Games.
dev_chieftain: (Default)
In case you ever wondered if the USA is Bregna from Aeon Flux, have a gander at this report.

The long and short of it is: through research, it's been recently pointed out that not one state in the USA is properly policed by ethics committees. Active effort is made to obfuscate the truth of government spending, to hide the fact that many, many government officials accept bribes and 'gifts' from lobbyists (often unregistered), and to exploit loopholes in state laws to keep ethics organizations from holding the offenders accountable.

While my state is at the top of the bottom half of the country, rank-wise (a pleasant, though not unexpected surprise; as one might expect, states with recent or frequent scandal actually enact more reform more genuinely than states without, and we once had the disreputable Fife Symington as our governor), the rank means very little, I think. I had trouble finding the above report and had to google and sift to get to it; most news outlets are part of the problem. The story was presented not as "FIND YOUR STATE, AND FIX IT", but "see if your state is one of the best or worst". The attitude inherent in such presentation is, "At least you're not in the bottom eight!"

It doesn't lend to citizen action, or effort to rectify this serious problem. It doesn't even lend to action in the 'bottom eight' ranked states, really, but I still was annoyed by the subtle manipulation evident in the doctoring of the report by most online news outlets that came up first in google's searches.

I do give a damn about the corruption of the government, but I often feel powerless to effect even minor change. How can you make the place you live a better place to live when most of the people who live there with you are racist, or close-minded, scary fanatics, or way into gun ownership? What this report suggests is accountability for us as a nation, and that's something I'd desperately like to see. Trouble is, even in places that claim to value transparency, or to be working towards providing information in full for the public to view at our leisure-- something we have a right to do, something from which we should not be obstructed-- those that DO offer the information try to spin it, or only show some, not all. To filter what the public sees, and continue to do whatever it is that they're doing that probably counts as 'illegal'.

But back to Bregna. That's the whole point of Trevor Goodchild's hostile takeover in the first speaking episode of Aeon Flux, isn't it? To sensationalize the idol of 'openness' and to pretend that he is revealing everything, that he is completely comfortable with having no secrets. Now, if a cartoon from the early 90's could presuppose that any effort to do so would really only lead to blackmailing, or more elaborate subterfuge, I really just wonder why it comes as a surprise to anyone that states that claim to provide the information asked of them are still attempting to conceal other information behind their pretense of transparency.

Anyway, my grousing aside, the link is valuable, and if you're in the USA and politically active in your own community, it's worth looking into what your state's currently scoring poorly on. Knowing is half the battle, right?
dev_chieftain: (rain)
I've made my meager (possibly financially unwise, but hopefully sound) contributions to two of the politicians in my state who are fighting the reprehensible HB 2625, and trying to put forth anti-bullying legislation to actually help children. I'm not rich, and that's not likely to change any time soon, but damn it, the only part of the country I have any ounce of ability to change is the one I live in.

So I've decided to do what I can. Not just voting-- though that's important too-- but putting my money where my mouth is.

Yesterday, we completed the module for ModuleMonday, and killed the mighty Orcus. Next week, I'll be running Steampunk London; just have to decide what system it's in. It sounded like neither Emma nor Melissa could make it otherwise, though I might check with Emma one last time. (Melissa definitely can't.)

Should find out today whether to be panicking or get back to my life. So that's something!
dev_chieftain: (simon belmont)
I have been thinking about babies because I have a coworker who often relates stories about hers and I have come to an inescapable conclusion. The only reason I want to have babies biologically is to further a narcissistic sense of ownership. "The family line". I want babies for like, Picard mourning his lost family in Star Trek: Generations reasons. Not for any other reasons. (And notably, not even for those reasons when I am experiencing near-breakdown emotional vulnerability over an existential crisis about mortality and the nature of life as suffering.)

Otherwise, I can't think of a single good reason not to adopt. It is entirely because part of me does take pride in my genetic make-up-- this translates simply to the fact that I think I'm hawt, and anyone who doesn't agree is sorely lacking in taste--that I even consider ever allowing myself to become pregnant. Why else than to vainly proclaim to the world that my genetic code is awesome would I bring a child into this world? There are plenty of children already around to adopt.

To this end, I sort of expect my younger brother to get married and have kids so I don't have to. Like, seriously. I might be as invested in his romantic endeavors as I am partially because I have decided (for no good reason) that it's his responsibility to make babies which I can dote on from the safe position of "aunt".

I think this potentially makes me extremely weird. Not because I don't want babies of my own, just because I have such weird reasons for wanting them, and for expecting my brother to procure them to ensure the continuation of the family line. Back to work now.

Edit: Now topical! I have now heard of October Baby, which blessedly has low critical ratings, though not for any particularly straightforward reason. The long and short is, this is an indie propaganda Catholic pro-life movie about an 'abortion survivor' who gets upset that her mom didn't want her, goes to find said mom, and then through Catholic counsel comes to forgive her mother for being so danged awful.

I sort of hope this movie will not make back its budget; it's 3/4 of the way there on just its opening weekend, however, which alarms and depresses me. I think every mother should be willing to have her child. (Allow me to explain: this means that no woman should be forced to become a mother if she is unwilling. It does NOT mean that every woman should be ready to pop out babies.) An unwanted child is treated to a pretty sour experience, and there are plenty of kids up for adoption who need homes. Why not help those kids first, instead of trying to prevent women from having the choice to live their lives however they want?

The thing that annoys me most about all of this is that Judao-Christianity contains the tenet "live and let live". It is not "living and letting live" to refuse to acknowledge other ways of life as valid and acceptable for the people who choose to live those ways. You don't have to approve. You don't have to do anything except agree NOT to harm or ostracize people simply because of differing beliefs. Blargh.

I do think it's a lovely testament to how unknown this film currently is that multiple articles listed The Hunger Games as the only new movie to come out this last weekend. Go The Hunger Games. I'm more and more tempted to watch you all the time.
dev_chieftain: (Default)
Here's the number one reason I'm not interested in getting into computer programming.

Disappointingly, I still have to deal with it in my work life occasionally. For me, this is when people will re-explain a problem using terminology specific to their profession ad nauseum in an attempt to make it clear that you're wasting their time, and actually it's all on you. This is the number one behavior of COWORKERS that I dislike about my job. The handling of the upper management is bad for other reasons, but I like my coworkers, with this one exception. What's worse, I sometimes do this to other people. So what can I take away from that?

-Some of it is discrimination
-Some of it is just that it's really hard to communicate with people. As the person explaining, you may have no frame of reference by which to actually explain to the person you're addressing. As the person being explained to, you may have no means to successfully convey what the problem is in a way that the first person will actually understand. (This is the biggest problem: we have HOUR LONG DISCUSSIONS sometimes when someone can't figure out what the heck I mean because having it described out loud is too confusing; this is nothing on them, and everything on how stupid our processes are. When you SHOW someone the problem, the process is infinitely faster.)

I mostly deal with the exact thing mentioned in the article in my personal life; people online will comment telling me to "lighten up" when I post about an issue I find important, which is hardly friendly and certainly not helpful. But I do it too! "Lighten up" is such a useless piece of advice, but we all think it's useful at one time or another, when we're worried and don't know how to help our friends out with something stressful. It SEEMS like a useful thing to say at the time, but that's a place where you have to put yourself in your friend's shoes. They're stressed out. They would probably like NOT to be stressed out. Saying 'lighten up' is the same as saying 'walk it off'. Utterly unhelpful, callous, and unsympathetic. And man, guys, I don't want to associate with people who are like that.

I definitely can't stand a society that is based around demeaning and demoralizing other people like this. The worst of it, to me, though, is when women buy into it.

I hate women that work really hard to "blend in" to the male-oriented culture by putting down the rest of their gender to try to seem cool. You know the kind-- "nerd" girls who are quick to remind you, "haha, WOMEN, right? They're so crazy and ruled by emotion! Not like ME though, I'm one of the guys"; or "normal" girls who will say, "Oh, well, it was that time of the month! you know how crazy girls get then!" to try to exempt themselves from responsibility for their actions. Or the worst-- "nerd but still totes normal, guys" girls, who will be quick to e-peen with you over some stupid trivia, and just as quick to remind you 'But my favorite color is PINK! I'm so CUTE!'.

Come on, fellow ladies. Let's be cool about this. And let's be cool about our own gender, okay? We're actually pretty dang awesome.

This was already on my mind, obviously, because we recently watched Being John Malkovich and Adaptation, which while interesting films are still the kind of romance that exemplifies the idolization of the girl that the man is in love with, without treating her as an actual equal. You know, romantic comedy; where the guy's awkwardness is somehow supposed to be adorable, and make up for the fact that he doesn't actually care about the girl, about her life, about what she does or wants to do; that he doesn't see her as an equal, but a prize.
dev_chieftain: (Default)
So say a guy gets drunk, buddy buddy with some other guy while he's drunk, and they go off somewhere to sleep it off together. A few weeks after waking up the next morning, the first guy discovers that he's feeling kind of sick, and getting swollen, like there's some kind of hideous parasite living inside his guts. Turns out the other guy put it there.

Is the first guy at fault?

I just ask because this seems to be a common attitude towards rape victims, and that annoys me. The "qualifying factors" don't matter. It doesn't matter what the clothing worn was, the behavior was, it doesn't matter if they consented at first because they were too inebriated to realize they didn't want to have sex. Choosing to get someone drunk in order to try to trick them into having sex with you would be a criminal act, so why are you defending the criminal? Trying to force someone else to do something they wouldn't normally want to do is criminal no matter how you slice it. Especially if it results in putting a parasitic creature inside the other person that could very well kill that person. (Yes, childbirth can kill! It can also wound someone for the rest of their life if it DOESN'T kill them! It's not some awesome thing to be carrying the child of someone you didn't want to have sex with in the first place, all right.)

Should there be degrees? Totally. A pair of folks who were BOTH drunk and out of it and then fucked? I think that needs to be talked out, not criminalized. But the majority of cases of rape that even get reported are not situations like this, and making excuses about it is ridiculous.

The annoying thing is, I see great, forward-thinking writing on the subject often, but the commenters on these much-more-trafficked-than-my-piddly-blog sites will generally chorus in with a lot of judgmental trash about how 'still but women shouldn't be wearing XYZ, it's SO slutty'. Dude, NO. Women should be allowed to wear whatever, and you should be adult enough to either walk by unaffected, or if it's in YOUR HOUSE to politely ask the woman if she could wear something a little less sexy, since it's distracting for you.

Anyway, serious post tax. Making interesting criminals for a city!

How I did it:

1. Roll 3d6. The number you roll is the number of active, non-imprisoned criminals currently out and about in town.
2. Make a numbered list, but no names yet. Roll 1d6 for each criminal; odds are male, evens female.
3. Now fill out the names as fit the naming scheme of your setting.
4. Create a 12-option list of potential crimes. See below for mine.
5. Roll 2d6 on the list for each criminal and assign as you see fit.
6. Assign nicknames that the locals might use to refer to the criminal.

Ta-da!

Example:

1 - F - Eloise - 1 - Effigy Eloise
2 - F - Marie - 4 - Mad Marie the Slasher
3 - F - Cecelia - 8 - Cecelia of the Moors
4 - M - Claude - 1 - Kerosene Claude
5 - M - Maurice - 1 - Matchstick Maurice
6 - M - Raoul - 6 - Raoul Redcheeks
7 - F - Perrine - 11 - Perrine the Pickpocket
8 - F - Seraphine* - 12 - Seraphine Sweetness
9 - F - Suzanne - 3 - Suzanne Stabber

Chart:
1 Arson
2 Rape
3 Murder
4 Violent crime (not murder)
5 Graffiti
6 Public indecency
7 Libel/slander
8 Political crime
9 Bombing
10 Serial murder
11 Theft
12 Innocent of whatever charges

* - The hilarious coincidence of Seraphine being innocent was totally unplanned, but hooray for luck and online dice rollers!

I won't pretend I lean to anything but silly alliterative names, because that would be misleading, but y'know, people who aren't me might have better luck with serious names (and criminals).

Also, if you are a D&D buddy and missed it, the post below has thoughts on handling resurrection in tabletop if you're interested. Check it out.
dev_chieftain: (simon belmont)
Here is an article that everyone should read.

What is it about: Healthcare, family planning (that is to say, being allowed to plan your family instead of forced to allow someone else to do as they like), maternal mortality (that is, death because of pregnancy or attempted illegal abortions during pregnancy).

What is the TL;DR of this article?: Numbers prove that, like prohibition, anti-abortion activists are only putting us at risk by suggesting that abortion be stopped. In countries where abortion is legal, it is less common. In countries where it is not, it is often the only option for women who are denied access to contraceptives.

What is the secondary TL;DR?: Women cannot be given equal standing in a society that denies them the right to control how many children they have, and when they have them.

So make it up to me, now I'm kind of depressed about how shitty things are for women internationally!: I'm planning for a short Steampunk London (yes yes it's cliche, blah blah) game, and I need to decide on some Details!

1.) The game will be short enough that I plan to do a short comic of each session's events for the players to refer to. Should this comic be:

a) In color?
b) A specific length (short or long?)
c) available on just the journal(s), or also DeviantArt?

2.) The game will be a sandbox (In essence: A fully designed setting with all the NPCs, treasure, what not I expect could possibly come up already planned; I will give the players the map of London, the low-down, and they will decide what THEY want to do without any This is Your Mission nonsense from me. It is meant to be a silly, fun game). Should I...

a) Make the map a little like a pop-up book?
b) Make the map just flat, with tokens or whatever on top of it?
c) Give only a description, not the map, and let the players make their own map?

3.) Finally, if you'd like to contribute to the setting a little, comment with a person, place, or thing you think would be awesome to find in AU, Magic-is-Real! Steampunk London, and I will work it in!

Edit: Man, does anybody else hate cutesy speak with a passion? Sometimes I read internet stuff and I wonder if I'm alone in that. (From porn that talks of a woman's "clitty" to fandom squeeing over predictable 'ambiguously' gay nicknames in anime to discussion of Game of Thrones' end and whining about the 'cliffy' lasting forever...seriously, what? Am I weird for thinking this is, well, weird?)
dev_chieftain: (ColdHardCash)
Earlier, Danny mentioned to me that Zak S of playing D&D with porn stars had posted in response to a poorly drawn, sexist comic marginalizing gamer girls as either fake (sexy gamer girls) or disgusting (smelly gamer girls obsessed with their games; ie, the lady nerd). Unrelated to my feelings on the comic in question (which summarily end at 'Oh, stereotyping. You know nothing, but you think you know everything!'), this got me to thinking about the Golarion RPG setting, past games I've played with the guys, and the way female characters get portrayed in general.

I recently made a footnote to a post explaining why I rarely play female characters in tabletop. The ugly reason is: I feel more comfortable playing dudes. I'm a lady myself, but I like the challenge of playing a dude. Am I buying into the social fallacy that unless I'm a dude I can have no agency? Maybe, which is what bugs me. So, I'm making the effort to play girls in upcoming games (Scarpur, the foul-tempered lady kobold; and then Aigua, the whimsical adventuring lady monk) who are specifically not the genre standard. They're not ugly, but they're not pretty. They're not young. I play old guys, why not play old girls? I figure I need to make an effort to change that, because I have a problem with it, which means I have a problem with me.

But I'm not the only one who has trouble portraying non-standard girls! So I think about it a lot. For example, let's talk about Golarion. I think the setting is pretty awesome. It's based around science and pseudoscience, with liberal borrowing from awesome speculative thought in the late 1800's and early 1900's; there's all sorts of neato nations and histories in the setting. I bought setting books for Pathfinder before the game was even out because I was curious about it.

There are also NPCs in this setting, with plot hooks just begging to be used. Danny recently started reading up on Golarion (which is awesome) and was telling me about some of the stuff he'd read last night, including an NPC with a very interesting backstory. She was brought back as an undead leader for a region, meant to control it; however, her organs were removed before she was revived, and anyone who's holding one of her organs can control her. Pretty creepy and awesome, right? Nothing about this is gender specific.

Oh, but also, she was a prostitute before she died.

Now it's certainly not Danny's fault, and I wouldn't be surprised if he just omitted that detail anyway, should he decide to run in Golarion and use this character, but really? She was brought back to life to run nations and she couldn't have been...a thief who was murdered for stealing? A mercenary who people respected and revered? A political leader? A poor farmer? A nobody seamstress or something? She's a prostitute. Really.

This is the first place that female NPCs get dragged, in a lot of situations, and it's not always the same people calling the shots, but it's treated like an acceptable job function that is just a natural part of being female by a lot of people in the tabletop world, and I don't really like it. If you say 'okay, so where are the male prostitutes?', most people laugh and think you're joking. Or hey, if you were to play a male prostitute, you'd still be a joke character by their definition, even if you played it seriously. Because men don't get defaulted to prostitution. Apparently, women don't come with marketable skills beyond 'sex for cash'. Men do, but women don't.

And that is bullshit.

I can think of plenty of situations where this has come up in games where I was playing alongside someone who thought it was totally reasonable to want to play a lady prostitute. Did it ever occur to them that they could have played a lady...something else? Or a male prostitute once in a while to even things out? I don't know. I assume that they didn't know or mean any harm because in most cases these are people I consider to be my friends and companions. I like them.

The one time I did play in a game with someone playing a male prostitute, he was a cat-boy ex-sex-slave, and he was played by a fellow lady at the table. He also was in a homoerotic relationship with the male leader of the party; that game was silly and fun, and I have really fond memories of it.

In a one-shot Vampire game, one of our players played a "business woman" Malkavian vampire who used her talents to make herself look sexy and human so she could fuck her way to the top. On top of this, she was subject to the Malkavian problem "generally clinically insane", so she wore a business suit but was actually just a prostitute who didn't know it.

In another game, one player who we ended up not inviting to the game wanted to play a Pathfinder Gnome lady. Except, he wanted her to be a prostitute after having been The Shit in her hometown (where here, 'The Shit' means 'Original Character Fiction levels of awesome'). Why? Because when she left her hometown, she left behind her fabulous wealth and friends, and needed to make money and get by somehow, so she fell back on her "talents". (For the record, one of the reasons he was not included in the game proper was this bad character concept; but it wasn't the only reason.)

In yet another game, the same player with the gnome decided he wanted to play a young woman who was extremely sexualized. He regularly informed us that his character had scratches all over again from having wild sex with her werewolf boyfriend, who was still in werewolf form when they did it. The worst of this character showed up when, during a dream sequence where we had to awaken to our true identities from pseudo-selves the dream had assigned us based on what it thought would make us happy, he informed us that his now-schoolgirl character 'just fucked the teachers when they called her to task at school' in the dream. When called on this, he informed us that he did so because that was just how girls get through high school. You can imagine how awkward it was for us all to be at the table with that statement hanging in the air.

I wish I could say that this player was always a jerk and write him off, but he is only this bad sometimes, and he does have other problems that exacerbate his issues. One of them, as you might imagine, is misogyny. As my friend, I do want to defend him, and to believe that he can improve. I know he's been better lately; in the current game he has even gracefully accepted being transformed (by accident!) into an ogre woman without making any nasty remarks. Still, as a woman, I'd like to see more positive female characters in tabletop, not less. These are all examples of players who I still play with by my own volition, so what I'm saying is, these aren't the worst: these are just 'the bad'. This idea that women, at the base of 'what do women do to get by', are prostitutes, bothers me a lot. Not least of all because I like sex, and think that liking sex shouldn't be something people consider remarkable anymore than they consider liking special kinds of foods remarkable.

So lady characters in general. I'm trying to take myself to task over playing male characters most of the time. For example, here's every female character I've ever actually played.

I started with Liz. She was stupid, but not sexualized. The joke was, she had once been a dog, but a magical accident turned her into a half human. She hated that, and wanted to become a dog again, to go back to when life had been simpler. The caveat was, she could only become more human and smarter.

Several years later, there was Mirzam. Finally, another girl! Mirzam was a young magician and favored daughter of a horsebreeding family in the Anima setting, with adoration for her stunted-growth friend Ariadne and her heart in the right place. How can I best describe Mirzam? She barely had any character at all. She was air-headed, and an air-themed magician. Literally.

Then Matachin. Matachin was a rude elf-druid from Sigil who didn't bathe and talked a foul streak a mile wide. Oh, and a pathological liar. The game was so short I unfortunately didn't have time to do much else with her.

Most recently, there was Sri, an ex-sailor turned slave Barbarian who was bought as a bodyguard by another PC at the start of the game, and ended up constantly bossing her mistress around. Sri was the oldest member of the party at thirty, and not particularly remarkable for her physical appearance. I feel like she was a step in the right direction for me with female character variety.

Now, I don't want to seem like I'm saying it's bad to play characters that are sexual ladies. Would it have been okay to be porny with these characters? Totally, yes. There's no reason I couldn't get porny about ANY of my characters. Even the old men. Or the weird little gnome things. Or my old lady kobold. Hawt hawt kobold on kobold action!

So long as it actually made sense for the character, I would be willing to mention their sexual proclivities and even have them come up. The whys and hows are simple: It's fun to play a guy or girl who sees a sexy vision, and totally falls for it. A large percentage of the monsters in D&D, for example, figure heavily around "seduce people to trick them: now eat them". Thus, should sexy funtimes be mentioned in D&D? Sure, if you and your players are comfortable with it. I just want to see sexy funtimes be an option, not an assumption, for what's part and parcel with a lady character. I'd like to think that a lot of folks out there agree.

Edit: Associated icon for this post now 15% more appropriate?
dev_chieftain: (Default)
Try to net buyers with fake female sales reps on your website.

I know which dealership I want to do business with now, because of the three who sell the car I want in my area that I was even willing to look at, two employed this tactic.

How can you tell if it's fake?

I suspect it's possible that it's not, but have you ever seen a sales rep for a car dealership that is female? There are none in my area, which contributes heavily to my dislike of the process. When asked if they could personally be available for a test drive with me, both supposedly female agents declined to give me a specific answer. After all, it'd be pretty hard for the lady to be there if she isn't real, wouldn't it?

Why I'm going to try the guys I'm planning to try first instead:

They still don't have any female employees, but their website boldly puts up their staff list and shows me what each rep is good at. I could even specially request one if I wanted, probably. That is much more likely to generate good feelings for ME than having a lie issued from the site first thing in a ploy to try to gain my trust without earning it.

Why I'm offended that they do this:

I bet it works on a lot of women. Women are treated very poorly by sales representatives, especially for car dealerships, because they expect to win by intimidation tactics. The same tactics are used on men, but I've never heard stories from men about being told to "respect" the salesman by said salesman and "listen when he's talking".

I'm sorry if this is boring for anybody else, but since I've often wished people could share advice on how to get a fair shake at this damn car buying business, I figured I'd try to post about anything useful I learned along the way, including getting totally swindled, if it happens. It's easy to say "don't be fooled" and "don't let them push you around" when it's not happening; but I'm as bullheaded as they come, and I've been swindled lots of times. HOW to avoid swindling and the like is definitely the advice I wanted, but lacked, so I'll do my best to relate how I did it, anyway.

So, personal rule number one:

Do not give out phone number to car salesmen. They will call you incessantly, long after you tell them that you have in fact purchased a car. I know this from past experience and others around me. I switched phone numbers to avoid this problem. Car salesmen are like outbound phone centers. They will misuse your personal information forever if they can.

Anyway. I've now checked with three dealerships, one of which I definitely like, one of which I'm okay with, and one of which I have no intention of even visiting, especially after seeing the "female chat online" trick played twice. Urgh. Time to gear up for battle.
dev_chieftain: (Default)
Read about the Feb. 20 incident with US soldiers purportedly 'accidentally' burning a pile of Q'rans while they were raiding a prison and wow. There is just no safe way out of this, is there? Because if they were to put the soldiers on trial as an actual show of faith to Afghanistan, there's no guaranteeing that the soldiers in question wouldn't feel cheated and abandoned, and childishly shout inflammatory things. After all, considering the severity of the crime they committed, they might expect to be killed for it, and who cares if they incite war on their way out, right? So the USA has to protect their soldiers because they probably can't trust them, but by doing that they're giving absolutely none of the respect they should to Afghanistan if they wanted to, I don't know, maintain good relations.

Well, there was ONE way out of this: not letting your soldiers disrespect other peoples' cultures, even if you wanted to get rid of 'extremist' statements in their religious books. I don't value a man's life as highly as a book, sure, but I do think that if you're stationed in a region like that you should damn well know better.

And for the record, I am absolutely typing the kind of person that is currently serving in the US military over there as somewhere along the lines of 'arrogant and disrespectful to anyone who's not part of the US military machine', because my experience with vets from the modern military, and members of the modern military in my day to day life, have taught me that generally, the people who served there don't value the rest of us non-military folk. I don't think extremist justice is the answer, but I don't think letting it happen in the first place is acceptable.

Sigh. Here, have a much more interesting article about political satire on Putin's sexual prowess instead.

I'll be hitting up the mechanic on my way home today, and leaving work early to make sure I get there before they close. Maybe they'll have good news. I hope, I hope. Maybe it's nothing.

On the bright side, character creation for Dusty's game is tonight. Now I just have to decide between Tanli, Aigua and Mahi. Existence of Cavalier-Bard hybrid class? Pretty tempting!

Edit: Post now edited to minimize any language that might make it sound like I think I'm an expert in the subject or anything more than the fact that I'm expressing my opinion.
dev_chieftain: (Default)
I had a lovely weekend! I'll write about it later. I also have a summary to finish from last week's D&D. And, oh, before all that, work to do. But! I have been poking around places for new jobs or side jobs or anything, really, and one venue I wish I could take more seriously is Craigslist. It's not that the site itself is necessarily bad for advertising an open position: job listings can be posted on it and it allows you to contact people regardless of the nature of your business (while some sites might not have a category for certain types of businesses).

However, any potential employers out there need to provide a certain minimum of information for applicants to believe that you are legitimately a business, and not just a scammy spammer trying to send endless junk-email to our inboxes.

1. Provide the name of your company. Oh, you don't want to risk people calling you to ask for further details? Well, too bad: you're the company, you want applicants, that's how it's done. This way, we can look YOU up and decide for ourselves in advance if we want to work for you enough to apply.

2. Provide quick and friendly correspondence if you choose not to reveal a large amount of information about the specifics for a position. If you yourself are not too great with this sort of customer service, make sure you have someone else that can handle it for you so you communicate well, and come across as someone that potential employees would actually want to work for.

3. Never, ever, ever try to internet dick-measure with me by brushing off my questions about the position and your company without answering them and telling me that there are just so many applicants already that you'll need me to do some extra work to get your attention.

Point A: I just did. I asked you questions about your company and here we are, talking. Your lack of acknowledgment with regards to this effort on my part says a lot about you as a potential future boss, and the fact that I probably don't want to work for you.

Point B: I don't care how many applicants you have. That's not my business and it's not my problem. If the position has already been filled, say that it has; if you don't like the cut of my gib, then tell me right now that you don't think I'd be a good fit. But if you desperately want someone to apply and are hoping they'll be your ideal candidate, responding in the manner described above is a surefire way to send that candidate off to other pickings in other places.

You'd think I was referring solely to experiences with Craigslist ads, but I've had the same thing happen with companies advertising through CareerBuilder or temp agencies. Right now I can afford to be picky, but even if I couldn't, I'd go to a physical location and apply for a retail position before I'd trust someone who acts like these scummy folk do.
dev_chieftain: (red)
It goes something like this:

Step 1: I'm sick of books and short stories that don't represent women as being interesting enough to be main characters! I'm going to write something with a female main character. And while I'm at it, I'm pretty sick of heteronormative white-out crap, too!

Step 2: Okay but if I put everything on that character then it just feels like I'm trying to scream about social issues. I can make the entire SETTING more interesting. In fact, I have to, because if it's implied that my main character is unusual because she's a) a woman b) not white or c) not straight, then that implies that only SPECIAL PEOPLE are these things, and that's screwy too. (Edited to add: This doesn't even take into account the fact that I never, ever write romances if I can help it because I'm so so sick of them.)

Step 3: (usually about two weeks later) Whew! OKAY! I've written up complete treatment for the setting's social policies (or lack of distinction about them), named species of unusual plants and animals, planned out three or four cities and towns that the character can go to, and described the geography of the surrounding area. Time to write!

Step 4: (inevitably) oh my god I'm being preachy aren't I? Everyone hates preachy stuff! And is anything even happening in this story? I mean I know she's saving the world / rescuing the person(s) she loves / going on an adventure after a mysterious treasure / trying to clear her name of that crime she didn't commit / building the most incredible robot / exploring to try to bring fame and fortune to her hometown / just trying to get back home now that she's lost / just doing her best to stay alive in the middle of a war, but WHO CARES about that?

Step 5: WHAT AM I DOING

Step 6: Indefinite hiatus at whatever stage of completion the project has reached until I can convince myself anybody would ever care

And now you know!

I'm struggling with myself right now because I'm super-inspired, as Claire has finished Shadowstalkers, which is a book I saw the original draft for back in high school. SO I AM EXCITED but oh my goodness can I actually finish anything? Come ON, self.

Edit: And this is why I rarely play women in tabletop games:

Step 1: I'm going to play a girl this time!

Step 2: ...I'm less comfortable doing the horrible backstory thing to a lady than a dude. Uh, well, I could play like a kind of airheaded girl, that's fun!

Step 3: What does she look like? Hmm, well...I guess kind of young-- *societal conditioning kicks in* And PRETTY! I wouldn't want to be ugly, I-- *shakes head* FUCK!

Step 4: Fuck this, I'm playing an ugly old man.

(Step 5: In the next game, I am going to play an old woman with the coolest backstory ever, because I owe it to myself to start actually trying to do this, even if I enjoy crossplaying like whoa.)

Edit: This merits actually editing the post over: Aubrey pointed out that I was being a dickweed about the backstory thing, and she's totally right. My problem is, I have a hard time feeling comfortable with playing a woman that defies the stereotypical Girl In Movies character-- and I don't like that about myself. Sri was a big step towards getting over that in a situation where I actually played the character (It's worth noting that I've got characters like Ermeridane and Matachin, but they haven't really seen the light of day). Anyway, my apologies if the above looks like I'm saying girls can't have awesome backstories. I'm saying the opposite: they totally can, and I feel like I need to make efforts to show how awesome girls can be by playing them more instead of hiding in my cozy crossplaying corner.
dev_chieftain: (farron)
Also, not to spam you guys, but my news feed threw me multiple articles rehashing the same complaints about the current administration's bid to require that birth control medications be provided even by religious charities.

A lot of "religiously affiliated" persons are speaking out against this, claiming that it impinges on their religious freedoms.

To that I say, sorry guys. Your "religious freedoms" are infringing on the personal freedoms of the women you seek to oppress. You wrongly educate people to believe fallacies so that they will continue to be a part of your religion. You actively lie in an attempt to further a personal agenda. You know why you are so quick to accuse everyone else of having agendas? It is because you know full well of your own.

I've heard lies taught to children such as 'pot will make you infertile, or make your children gay.' Not only untrue, but what's wrong with being gay? Why is being gay held up as a threat?

I've also seen plenty of religious opposition to abortion. Okay, anti-abortionists. What are you proposing we do for all these children we are going to keep, then? Are you going to pay, out of pocket, to help these women to support the children you insist on bringing into the world?

No, you victimize the women by claiming that they should have been more responsible about becoming pregnant.

How are they meant to be more responsible about it when you:

-deny that being raped is a crime committed by the rapist, and blame the women who are raped and impregnated with such excuses as 'she shouldn't have dressed or acted like that'

-deny children education in contraceptive procedures that would at least have kept them from getting pregnant until they were ready

-deny contraceptive devices that are primarily designed to protect the health of the individuals using them (such as condoms, which are the number 1 best way to prevent STDs, or birth control pills, which are often used to regulate menstrual cycles that are cripplingly painful, or even to treat conditions that are medicated by hormonal regulation)

I'm sick of hearing the opinions of these religious parties who claim to be oppressed by the government's effort to provide fair and equal health care to the entire nation. I am not in charge of the US, and between being female and holding the opinions I do, I sincerely doubt I ever will be. But if I was, my first order of business would be separating church and state properly, like they are supposed to be; prioritizing the health and safety of the majority of my people, not the minority; and most importantly, keeping in mind that any life I insist be brought into this world be one I make efforts to care for, support, and cherish.

If you want to be pro-life, you'd better plan to be responsible for THAT choice.

Edited to add: The thing that bugs me the most is probably the Victorian-era anti-sex mentality that is harbored here; by making sexual things forbidden, you only make them more desirable to the people you are forbidding them to. Remember prohibition and how well that worked out?

Ambivalent

Thursday, February 9th, 2012 08:52 am
dev_chieftain: (farron)
I was pointed to this site, and have mixed feelings. On the one hand, I've been subjected to a lot of these tactics/arguments when talking with people not even on the internet, but real life. And it's infuriating, and hurtful, and reading through almost exact examples of what was said in response to what I was saying leaves me agitated.

On the other hand, I sincerely doubt that the people I was having these conversations with-- often my friends-- were doing any of these things with the sole intent to hurt my feelings. Well, unless it was already an argument, at which point I know they were probably justifying the cruelty of saying these things to me with 'but SHE said xyz to me, and that was really mean!'

Basically, I can take from that site two things.

One: I really want my friends to know and avoid these "tactics" in conversation, because they are hurtful and offensive, and designed to shut down conversation. Not cool.

Two: I don't like the site's inherent suggestion that, because people sometimes DO employ these tactics, it's okay for us to shirk the responsibility of making an effort to communicate, because it's hopeless since everyone who disagrees with us is cruelly and intentionally trying to derail us anyway. Also not cool.
dev_chieftain: (Default)
I've been thinking about Dragon Age 2.

Specifically, I've been thinking about the ending. I've seen lots of different reactions to the ending; my own was not necessarily the one I saw most commonly, though with time and distance I found myself agreeing with the majority, more or less, because in some ways, they were very right.

The problem with the game is that Act 3 feels like Bioware threw it together in much less time than the rest of the game. Act 3's conflict is soulless and uninteresting, because none of the choices are really meaningful. Who gives a shit if you side with the mages or the templars? Everyone is going to go nuts in the end anyway, because there's only one ending. And this pretty squarely returns to what everyone has told me about other Bioware games that I have not played: Bioware, you are pretty bad at endings. According to people around the Bioware forums, their endings are historically pretty half-cocked, lackluster, and all around kind of bad.

'Why did they drop the ball so hard in Act 3?' is the question I heard most in regards to Dragon Age 2. A common accompanying statement was 'Why wasn't the plot with the Qunari the main plot? Everything selling the game implied that it was.'

I think maybe, possibly, there was a very belated realization that it might seem a bit racist to have the primary antagonists of the game be a race of 'monsters' who follow a religious doctrine that is not the pseudo-Christian status quo of Dragon Age thus far. Assuming this is a bit much; Bioware seems to have conveniently 'forgotten' to include the option for same-sex romances in SW:TOR, has never handled gender roles in a way I find fully acceptable, and seems totally unwilling to market their games in a way that accepts the idea of a badass female protagonist as being equally acceptable as 'the canon protagonist' as the male one. (I was, as some may recall, pretty incensed by the promotional materials for DA2, which acted like only Male Hawke was real, and didn't even depict Female Hawke on the cover of the goddamn box. The funniest thing about this, of course, is that I like Marian Hawke way better than Garrett Hawke for 'default appearance'. I loved both VA's and enjoyed playing as both genders, but Bioware acts like it has to be ashamed of offering a female lead whose value isn't determined by her appearance, but her strength, character and gumption (you know, like male characters get to be)).

Whenever Bioware makes efforts to fix their problems-- racism, gender bias towards male characters, efforts to provide same-sex relations-- there's a lot of turbulence along the way. Wildly vocal white-privilege young male members of their forums throw bitchfits, from time to time, about how they're not "paying enough attention" to their "real audience". People they are trying to please by fixing their problems are extremely difficult to satisfy, and unfortunately, as with anything, there are different voices within those communities too-- fans who have different opinions from each other on the proper way to handle the equalization of genders, the removal of racism, or what not. I understand that it's tough, so I wouldn't be surprised if they at some point in production said 'oh shit! This conflict isn't really what we should end this on. Let's rearrange things so that the Qunari conflict comes first, and then the mages/templars thing comes to a head.'

The thing is, it's not that the mages/templars thing coming to a head is bad, necessarily, but since they're trying to write with a direct sequel in mind (not a good idea, I think), they didn't even consider the possibility of doing multiple, equally acceptable canon endings.

I honestly think that multiple, equally acceptable canon endings would have been the best way to handle the end of Dragon Age 2 for three simple reasons:

-A larger number of people will enjoy the ending if they can make a wider variety of choices, reflecting their desires as players more completely

-The fastest way to get better at something you suck at is to practice it as much and intensely as you can. Can you imagine if Bioware had prepared fifteen potential endings to the game? I think I'd have also felt a lot more forgiving of a mediocre ending if I knew that it wasn't the only one.

-Presenting the game as essentially a futile struggle against a horrible event that could never be averted is neither artsy, nor fun for the player.

I could see that trouble was brewing for me LONG before the "decision" ever came to bear, and discovering that I was powerless to stop it made it difficult to finish the game because it sapped my excitement for it. Bioware claims to be providing the option of choices in their games-- that they offer the opportunity to play a game that is unique from other players' experiences because the differences in what you did or said actually, significantly alter your playing experience. The most significant difference I had from other players in my first playthrough was that I hadn't had Isabela around enough to keep her, so I didn't get any third-act quests for her at all because she never came back. That was a pretty significant change, and I respected it-- until I played through a second time, kept her, and discovered how little she contributes to the third act just in case you happen to lose her. Rather than have a very different experience as the Hawke who had Isabela around and thus lived a cheerier life for it, I got to see how little Isabela mattered, whether she was there or not, and I was kind of disappointed by that. I want Isabela to matter-- I want her cheery and boisterous personality to be such a big part of life that things feel noticeably different without her. But BECAUSE Bioware is ultimately catering to people I would pretty much identify as douchebags-- who do horrible things in their playthroughs like sell Fenris back into slavery, kill Merrill, and give Isabela over into the custody of the Arishok after romancing her-- and making sure that their bad choices don't penalize them too much, the game suffers for it.

I feel like these choices SHOULD matter. Your life should be a lot harder, and grittier and darker, if you treat your friends like crap, or throw them casually away. Otherwise, what's the point of playing the game and choosing your character's personality?

In conclusion, Bioware, work on your endings. Do this by making multiple endings for your games that give value to our choices! Please and thank you!
dev_chieftain: (simon belmont)
1. Coffee breath.

2. I guess caffeine, which you get a lot of in a single cup. And potentially sugar or milk, which both aren't that great for you, but get put in coffee often.

3. Buuuut mostly coffee breath. Yuck!

~This PSA brought to you because of coworkers with coffee breath and trying to raise awareness of coffee breath everywhere.~

I'm mostly kidding-- I've no room to talk, because I probably have garlic breath like, all the time (ALL THE TIME) and I generally don't care unless cute girls call me on it-- but coffee breath especially grosses me out because it reminds me of one of the last times I was with my Aunt N. She warned me that the medication she was on for her cancer not only caused her a lot of pain, but gave her halitosis that smelled like coffee breath. She asked me to warn her if I could smell it, because she had breath mints for it; her own sense of smell had been lost during the chemo.

Some people describe the scent of illness as cloying and sweet, but I have been fortunate so far in my life not to have too many friends or family succumb to wasting illnesses. So the only memory I have of such a thing is one of something like coffee-breath. I dutifully reported when I could smell it, and got yelled at by my mother for being insensitive.

I consider this important to note when kissing is on the mind, too. I already personally find mouth-to-mouth kissing pretty gross, but add bad breath to it, and wow. It's one thing if you both ate a garlicky pizza- you're not gonna care. But if one of you smokes, or drinks coffee, or had an oniony subway sandwich right before, it's gonna be gross for the other.

In German theater, the sorority girl who I was playing opposite specifically kissed me in that third way during our love scene on the first day of rehearsals. It was less sexy than it looked, dear classmates of the past! I assure you!

DELICIOUS

Tuesday, January 24th, 2012 12:00 pm
dev_chieftain: (opinions)
I just had Jack-in-the-Box tacos for the first time ever and they're amazing. They are like crack. I want more already and I'm not even hungry!

In less delicious news, sometimes things like this happen:

Fandom: I want this m/m or f/f couple to have a baby! You can have them be transgendered, or do mpreg/immaculate conception, lol, I don't care!
Dev: Adoption exists! What the heck!

or this:

Fandom: Oo, best idea! Let's have X character in Y crossover to a thing you've never heard of!
Dev: Can there be another fandom for crossovers or something? I don't care about Y fandom and you are GETTING YOUR CONAN IN MY LUPIN

or this:

Fandom: Lol it's better when X character is a girl because he's so girly anyway!
Dev: YOU ARE MISSING THE POINT
Fandom: Ok um then how about turning that butch girl into a dude? I bet then she'd be hot!
Dev: *sob*

Have revived Lebowski-icon because it is appropriate, though I couldn't quite make it perfect using the upload-image/crop feature. I'll fix it when I get home, perhaps!

But really, seriously, those tacos were amazing.

I hadn't realized that Imaginarium of Doctor Parnassus didn't get an Oscar, and I should have known-- that was the year of Avatar, wasn't it? --but how depressing. )
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